The 50 Best R&B Albums of 2024
Celebrate the diversity and artistry of R&B with these standout albums of 2024. Every album here represents the genre to us, featuring a mix of newcomers and seasoned veterans.
In 2024, R&B flourished across all platforms, embracing established artists and fresh talent, from mainstream pop to intimate venues. The genre manifested in diverse styles: hazy psychedelia, translucent watercolor soul, jazz-infused rhythms, funk influences, the essence of modern dating life, and even the sensation of a car ride through purgatory. It regained its presence in clubs, reached into cosmic sounds, explored the complexities of love (as always), and celebrated the richness of the Black experience. Though the mainstream scene may be fading, supporting these artists is more important than ever. Here’s an important reminder to subscribe to our blog for roundups! Here are the 50 best albums produced this year in this timeless genre.
JONAS: Be the Light
Celebrating over a quarter-century in the music industry, JONAS unveils Be the Light, a thrilling R&B winner. This release sees him joining forces with various artists, combining a fusion of different talents and musical styles. The album is a collaborative effort featuring songwriting and performances from several of JONAS’s esteemed musical colleagues. Yet, it’s JONAS’s distinct flair that shines throughout the album. He takes on a significant role, contributing predominantly to the songwriting. Additionally, he showcases his versatility by playing various instruments and taking charge of programming, production, and mixing, even when you ‘turn down the noise.’ — Brandon O’Sullivan
Sy Smith: Until We Meet Again
Sy Smith has held many supporting roles, shining as a backing vocalist for the legendary Whitney Houston and becoming a prominent figure in Chris Botti’s trumpet ensemble. She has contributed to several of the Foreign Exchange’s projects, solo endeavors by founders Nicolay and Phonte, and each of Zo!’s records under their label, culminating in the collaboration called Abstractions with Tall Black Guy. Smith’s sixth album emerges naturally from this extensive background. Released by Foreign Exchange and predominantly produced by the Abstractions team, this time, Smith focuses primarily on vocal production and arrangement, highlighting the contributions of six talented backing singers. True to her form, Smith also excels as a songwriter, making Until We Meet Again her most polished album to date. — Harry Brown
Shaé Universe: Love’s Letter
Nigerian-British singer Shaé Universe presents her second project, Love’s Letter, an album that bridges the gap between classic and contemporary R&B. With this release, she solidifies her presence in the music scene and promises longevity. Love’s Letter examines the idea of love delivering messages at each stage of life, portraying moments of true affection, the importance of self-love, and times when love is absent. The track “More Than Enough” offers a heartfelt reminder that self-love surpasses all else, while “LOML” captures Shaé being swept away by a unique romance. The album’s ten songs featured influences from artists (such as Brandy and India.Arie) are evident, yet Shaé Universe infuses her style to create a work that could be cherished for a long time. — Jamila W.
Jordan Mackampa: Welcome Home, Kid!
Jordan Mackampa returns to the music scene with renewed purpose. Four years have passed since his debut album, and the British-Congolese singer decided to reconnect with new listeners and loyal fans. In Welcome Home, Kid!, he embraces his soulful artistry, lifting spirits with every verse. The song “Proud of You” inspires a joyful dance that leaves you feeling weightless, while “Step by Step” fills the air with resounding trumpets, dynamic drums, and the warmth of a family gathering. This album captures that moment when life begins to make a bit more sense. It’s evident that Jordan Mackampa has rediscovered his calling, which shines throughout this new collection of songs. — Phil
Ledisi: Good Life
After a four-year hiatus from original material, Ledisi returns with her 11th studio album, Good Life. While longtime partner Rex Rideout contributes to about half of the songs, Ledisi also works with talents like Marsha Ambrosius, Tish Hyman, Isaiah Sharkey, Burniss Travis, and Cory Henry. Her duet with Kenny Lattimore evokes the essence of the great ‘80s duets through its smooth rhythms and seamless vocal harmonies. “Quality Time,” featuring the jazz-funk ensemble Butcher Brown, surprises with its minimalistic yet mesmerizing arrangement, allowing Ledisi’s voice to soar as she holds a breathtaking note that leaves one in awe. Later in the album, the focus shifts to more introspective themes. “Good Year,” co-produced by Rideout and J. Most, brings funky energy, while “Hello Love” shines with its luminous production. Ledisi enhances her impressive discography throughout the album, demonstrating her evolution while staying true to her soulful roots. — Reginald Marcel
SiR: Heavy
With Heavy, SiR offers an unvarnished look into his struggles and triumphs. Born out of what he calls the ‘worst year of my life,’ the title track vividly captures the period when addiction had a stronghold on his life. In “I’m Not Perfect,” SiR confronts his inner demons and asserts his determination to prevent them from dictating his actions. Despite the album’s dark themes, it also reflects his path toward recovery and growth. The uplifting “Life Is Good,” the self-affirming “Poetry In Motion,” and the resolute “Tryin’ My Hardest” exemplify this positive shift. Heavy is a heartfelt and candid narrative about overcoming one’s lowest moments and reclaiming control until it worsens. — Phil
Alice Russell: I Am
After To Dust’s release, Alice Russell experienced significant personal upheaval: her father’s death was soon followed by the unexpected news of her pregnancy. She began therapy shortly after giving birth, deeply engaging in her healing process, which continued with the arrival of her second child. Throughout this challenging period, she channeled her experiences into writing. In November 2023, after a decade-long hiatus, she returned with “Rain.” This was followed by “I See You” in January and “Gravity” in March. All three songs are featured on I Am, an album that vividly portrays Russell’s intense emotional, spiritual, and psychological transformation, captured with raw honesty and distinctive production by her longtime collaborator, TM Juke. This record marks Russell’s return, presenting an album that declares her understanding of her strengths, vulnerabilities, and determination. It reveals her transformative process and personal growth with deep honesty through glorious modern soul. — Jamila W.
José James: 1978
On 1978, José James blends dancefloor pulses, intimate ballads, and introspective compositions, moving beyond nostalgia for his birth year. Sensuality permeates much of the album, beginning with a pair of tender ballads enhanced by Jharis Yokley’s innovative Dilla-style drums. Some parts of the LP are rhapsodic and slick, as seductive as their predecessors, evoking prime Heatwave and Michael Jackson’s Off the Wall era. Chad Selph’s driving low-end synthesizer distinguishes these tracks, as Marcus Machado’s lively rhythm guitar and James’ smooth vocals and effortless swagger. — Harry Brown
Sinéad Harnett: Boundaries
Sinéad Harnett’s third album is a cathartic and purifying experience, which Harnett explains is her way of confronting past traumas, processing them, and ultimately releasing them. She navigates the delicate balance between acknowledging pain without becoming consumed by it and the necessity of letting go without fully confronting it. Having relocated to Los Angeles amid the pandemic, Harnett has expanded her musical horizons. It’s been three years since her previous album, and although the album’s scope and scale have grown, her writing remains deeply personal and introspective in Boundaries. — Phil
Andra Day: Cassandra (Cherith)
Describing nine years between the albums Cheers to the Fall and Cassandra (Cherith) as momentous for Andra Day would be a euphemism. During this time, she notably took on the lead role in The United States vs. Billie Holiday. Her performance earned her a Golden Globe and a Grammy and an Academy Award nomination. The singer’s second album shares the same themes of heartache as her debut but takes a distinct approach—it’s less polished, more up-to-date, and appears more intimate. Day once more took on the roles of co-writer and co-producer for the entire album, yet collaborated with a nearly entirely new set of partners. The overall sound often resembles that of a band, adept at seamlessly blending classic soul and pop with modern elements. — Imani Raven
Rosehardt: The World Gets Smaller Each Day It Seems to Shrink
Rosehardt balances his Broadway presence with a striking musical career. His latest album, The World Gets Smaller Each Day It Seems to Shrink, offers a wide-ranging musical expedition. The record’s opener, “I Don’t Have Much Time,” sets the tone with a nimble shift from introspective composition to effervescent pop. Rosehardt’s collaboration with Masego on “Baby Love” injects a funky zest into the mix. Throughout the album, Rosehardt pays homage to his inspirations, as evidenced in “~Oceana~,” a nostalgic ode to his San Francisco roots. His artistry shines through his ability to craft songs that resonate across various emotional landscapes, making this LP a nuanced reflection of his artistic progression and a mirror to our ever-changing world. — Brandon O’Sullivan
Yaya Bey: Ten Fold
In Ten Fold, Yaya Bey predominantly uses the deeper tones of her voice to create an alluring effect. However, the higher notes often carry more emotional weight, whether she is conveying happiness or sorrow. Unlike her previous projects, she entrusts a larger portion of the production to collaborators this time, including Corey Fonville and DJ Harrison from Butcher Brown, Detroit producers Karriem Riggins and Jay Daniel, and Boston Chery and Exaktly. Despite the significant collaborative efforts, Ten Fold remains deeply personal. It features spontaneous and experiential songwriting, along with recorded and sampled contributions from her late father, Grand Daddy I.U., a Juice Crew affiliate. — Jamila W.
ESTA.: Francis
ESTA. has long contributed to contemporary R&B from behind the scenes, crafting some of its finest projects. However, his true artistic vision was fully showcased once he released his debut album, Francis. On this ten-track collection, ESTA. expands the genre’s horizons with the assistance of artists who had previously established strong chemistry with him. On “Too Fast,” featuring DUCKWRTH and Joyce Wrice, energetic funk rhythms are elevated to new heights. “Outta Space” sees Kenyon Dixon and Mack Keane expertly portraying the emotions of a relationship unraveling, while Arin Ray captures the initial allure of newfound love on “Controllin.” Throughout the album, ESTA. demonstrates his mastery of creating immersive soundscapes. By collaborating with the most fitting artists for each track, Francis ranks among the year’s most exquisitely crafted R&B albums. — Harry Brown
Cruza: Cruzafied
Cruza presents a more mature sound on their debut album, Cruzafied, intertwining psychedelic and soulful R&B with hints of alternative rock. The album is threaded with romantic and candid lyrics. On “Patience” and “On Fye,” the band channels emotional depth through mystical, nostalgic tones. Cruzafied underscores the band’s foothold in the alternative music sphere by drawing parallels to acts like Tame Impala and Yves Tumor. Their experimental flair shines in “Dragonfly,” where hazy guitar intros construct a hypnotic ambiance. With a runtime of 31 minutes, the album provides an ideal backdrop for summer’s leisurely days, evoking a yearning for the present’s nostalgic haze. — Nehemiah
Fana Hues: Moth
With just one reference to Fana Hues’ songs in your playlist, if you’re content with her appearance on Tyler, The Creator’s last album—but trust us, give them a spin too—she’s got that very calming voice and a real taste for music. Focused on Hues’ vocals, which are hypnotic and tranquil, Moth’s soundscapes evoke a sense of peace. Busting out of her pattern as a producer, she exec produces 2022’s follow-up, the riotous ‘R&B’-leaning “Rentals” and “Paper Tigers,” the lead single from Moth. The Californian singer has forged a melodic trip through soundscapes deriving largely from the psych-loving new soul palette and addressing heart matters. — Tabia N. Mullings
Lalah Hathaway: VANTABLACK
Determined to make even the bleakest moments feel joyful again, Lalah Hathaway named her eighth solo album the Blackest way possible and delivered the same heartfelt melodies. Those approaching the Honestly follow-up with four guest MCs might shudder at the puritanical purity of the singer’s journey away from its straightforward title. Instead, VANTABLACK was created by Hathaway alongside Phil Beaudoin, Ariza, and Warryn Campbell, rotating at the controls as well as Eric Dawkins, With adjectives like “modern” or throwback” already implying a degree of soul, plus hip-hop, folk, and dance, Lalah delivered her most diverse album yet. — Brandon O’Sullivan
NxWorries: Why Lawd?
The 2016 release of NxWorries’ debut, Yes Lawd!, which came to parties and dash like a Dirty Mack album should—is markedly less naughty than its predecessor eight years later with Why Lawd? These differences help define the album’s musical porridge of emotion and excitement that NxWorries evokes. Despite Paak’s signature smooth-talking script dominating these songs, surprisingly, few of those casual connections are on display here. Instead, most interactions feel perfunctory or resentful because of changes that have occurred. Knxwledge and Paak’s respect for classic beats is evident in every bar of their music, yet it never strays too far away from their usual formula. — Harry Brown
Raveena: Where the Butterflies Go In the Rain
At the beginning of creating her third solo album, Raveena felt vulnerable, likening herself to a butterfly with damaged wings. During the album’s production, she engaged in deep introspection, confronting emotional wounds from the recent past and earlier in her life. Embracing freedom in her creative process, she let go of rigid methods, focusing on crafting songs that embodied tranquility and ease. She devoted ample time to this album, aiming to create something truly special. She felt deeply fulfilled upon its completion, expressing that it brought her contentment with her life’s work. In Where the Butterflies Go In the Rain, Raveena creates delicate and enchanting sounds that reflect the evocative nature of its title. — Charlotte Rochel
Tyra + Tiara: Don’t Forget Your Keys
Texas-born twins Tyra and Tiara Lewis are shaking up the music scene with their fresh blend of R&B and tech-savvy. These mechanical engineering graduates have smoothly transitioned from aerospace careers to the recording studio, unleashing Don’t Forget Your Keys as their full-length debut. Balancing their engineering expertise with musical talent, the sisters craft authentic tunes that address love, loss, and self-empowerment. As they continue to grow as creatives, Tyra + Tiara aims to collaborate with industry giants while staying true to their roots, proving that STEM skills and soulful vocals can harmonize beautifully. — Jamila W.
greek: Accelerator
Drawing inspiration from Daniel Caesar and echoing Tyler, The Creator’s production style, greek ventures into a sphere where philosophical musings intertwine with Accelerator. The lead single, “There for You,” contrasts with its affecting lyricism and emotional depth. Despite a slight dip in momentum in its latter half, the album roams through diverse soundscapes, with “River” and “Pure Americana” offering thoughtful explorations of faith and love. Accelerator unravels as a dynamic montage of neo-soul and R&B influences, showcasing the artist’s adeptness in crafting addictive melodies. — Brandon O’Sullivan
Hiatus Kaiyote: Love Heart Cheat Code
Hiatus Kaiyote has broken their three-year silence with a new album, Love Heart Cheat Code, which appears to be their most conceptual work to date. Comprising 11 songs, this release showcases the band’s collective imaginative spirit, bottling the unscripted energy of midnight improvisations and the natural interplay of instruments rather than adhering to a rigid composition. The album is a testament to feeling over formula, born from mutual trust and countless hours of collaborative studio craft. The outcome is a collection that’s awe-inspired and harmonious yet maintains a sense of ease, revealing a profound self-awareness and a desire to connect with their audience through their art. — Jamila W.
Lucky Daye: Algorithm
Lucky Daye’s career trajectory is a unique tale of success. As a teenager, he captured the nation’s attention with a stellar performance on American Idol, securing a spot in the top 20. It took another ten years for him to emerge under the moniker Lucky Daye, but his rise to fame was swift and dazzling, amassing six Grammy nods that spanned both classic and contemporary R&B genres for his works Painted, Table for Two EP, and Candydrip. In close collaboration with D’Mile, a long-standing musical stalwart, Lucky crafted Algorithm and his previous trio of albums. Their partnership is evident in every note, with the pre-album singles hinting at the unique nature of the LP. From R&B to pop to yacht rock, Lucky Daye proves he will continue raising the bar in his field. — Brandon O’Sullivan
Marsha Ambrosius: Casablanco
In 2021, during Dr. Dre’s recovery from a brain aneurysm and three strokes, Marsha Ambrosius was prompted to record what evolved into the album Casablanco, released on Dre’s Aftermath label. With complete creative freedom granted by Dre, the two collaborated intensely, completing the project in two inspired weeks with assistance from producers like Focus..., Dem Jointz, and Erik Griggs. A 27-piece orchestra was brought into the mix, enhancing the album’s grandeur. Additionally, the extensive use of samples and interpolations, which required over a year to clear legally, contributed to its lavish production. Listening to it feels like watching a film adorned with a continuous stream of needle drops, giving it a mixtape-like quality. While the heavy reliance on familiar ideas can be exhausting, it’s evident that Ambrosius, Dre, and their team thoroughly enjoyed assembling the album, threading consistent themes of lust, romance, and heartache throughout the lyrics. — Randy
Jimetta Rose & The Voices of Creation: Things Are Getting Better
Things Are Getting Better marks a more hopeful follow-up to Jimetta Rose and the Voices of Creation’s debut, How Good It Is. While their first album exuded positivity, it was deeply intertwined with grief, reflecting Rose’s personal losses in early 2020. The opening track of Things Are Getting Better, “Portals,” invites fans to embrace the light, with its uplifting chorus celebrating “Stepping into portals chasin’ sunshine.” One of the standout distinctions between the two albums is their stylistic approaches. Expressions of affirmation, wisdom, and self-love that might seem clichéd on paper are vividly brought to life by Rose and her ensemble. They convey each message with conviction and strength, even amidst global turmoil. Throughout the album, the harmonies remain consistently sublime. — Jamila W.
Jerome Thomas: Submerge
Embodying the essence of Hackney, London, Jerome Thomas is an undeniable powerhouse of talent and dedication. His vocals are known to soar, seduce, and sigh with deep harmonies supporting melodic tales of love, sorrow, elation, and frustration. Collaborating with producer Pitch 92 on Submerge, he presents a deeply human foray into ethereal jazz, R&B, and ‘70s soul. The project addresses lust, Blackness, security, and compassionate love. Musically, it merges sophisticated arrangements reminiscent of the past with seductive contemporary production in the lower frequencies. — Harry Brown
Mourning [A] BLKstar: Ancient//Future
Mourning [A] BLKstar’s Ancient//Future displays the Cleveland collective’s knack for genre-bending. Building on their spiritual jazz foundations, the group ventures into rock and blues territories while maintaining an experimental edge. The album’s title hints at its core concept: a retrospective look coupled with forward-thinking aspirations. Musically, it spans half a century of American sounds, reimagined through an avant-garde lens. From the intense opener “Literary Witches” to the soulful “Just Can’t Be,” the record paces between fiery intensity and mellow introspection. — Brandon O’Sullivan
Rae Khalil: Crybaby
On Crybaby, Rae Khalil unveils a fearless transformation, shattering genre limitations with a kaleidoscope of influences—from the sultry grooves of jazz and soul to the raw energy of punk and hip-hop—collaborations with trailblazers like Anderson .Paak and Jared Rubens propel her sound into new dimensions, where vulnerability dances with empowerment. Songs such as “Cisco’s Song” and “Come Home” embody her versatility, while the soulful sway of “Is It Worth It” explores deep themes, showcasing her lyrical finesse. She constructs a vivid musical narrative throughout the album, echoing her evolution and stirring deep emotions. — Murffey Zavier
Thee Marloes: Perak
On their first full-length record, Perak, Indonesian group Thee Marloes concocts a time-bending soul brew steeped in vintage flavors yet unmistakably current. Natassya Sianturi’s voice flows between Indonesian and English at the core of their sound, often eschewing words entirely for pure emotional utterance. The album’s carefully crafted production conjures dimly lit, after-hours scenes, with drums and bass forming an unshakeable groove foundation. This stirring collection of songs whisks us to an intimate world where each musical phrase thrums with romantic anguish and quiet strength. — Harry Brown
Ravyn Lenae: Bird’s Eye
In her second album, Bird’s Eye, Ravyn Lenae gracefully expands her musical horizons, delivering a collection of creative and refreshing pop songs. While her debut, Hypnos, positioned her as a formidable presence in the R&B scene with its stunning tracks, Bird’s Eye sees Lenae venturing into diverse approaches to pop music without sacrificing accessibility. She skillfully blends R&B elements with various pop subgenres, crafting a sound that is both fresh and inviting. Despite exploring new musical directions, Lenae hasn’t abandoned her R&B roots. The genre’s purest forms surface in moments throughout the album. “One Wish” proves this, featuring soulful guitars and vocals that contribute to its smooth and captivating appeal. Another highlight, “From Scratch,” enchants with its incorporation of Latin influences amid a mysterious atmosphere. Bird’s Eye reaffirms the strengths displayed in Hypnos while unveiling further facets of Lenae’s artistry, underscoring her substantial creativity and versatility. — Ameenah Laquita
MALIA: Back In My Body
Opening with the ethereal “Genesis,” MALIA sets the stage for introspection and renewal. navigates through various emotional terrains, from the empowering “Minding My Own” to the introspective “Deep Green.” MALIA’s smooth vocals and thoughtful lyrics shine throughout, particularly in “Everything I Am” and the title track, which develops the album’s personal growth arc. The production, ranging from minimalist to richly layered, complements each song’s mood and message. Back In My Body presents a cohesive narrative of healing and self-empowerment, showcasing MALIA’s ability to intertwine personal experiences with universal themes, resulting in a collection that resonates on individual and collective levels. — Javon Bailey
Avery*Sunshine: So Glad to Know You
From the very beginning, So Glad to Know You, crafted alongside drummer, vocalist, and producer Jamison Ross, exudes Avery*Sunshine’s elegance and warmth. The opening song, “Hello Sunshine,” establishes the atmosphere, followed by “Shine No Matter What,” which perfectly captures the album’s uplifting spirit. “All I Need (The Gemini Song)” enchants with its beauty, while the title track, our preferred selection, showcases her remarkable vocal talent. This tender love song, dedicated to her husband, guitarist, and producer Dana Johnson, draws us back repeatedly. She embraces a sensuous and spirited vibe on “Show Me,” then shifts into a retro soul groove on “Fire.” We earnestly hope her Grammy nomination brings her the recognition she so richly deserves. — Brandon O’Sullivan
The Harlem Gospel Travelers: Rhapsody
The Harlem Gospel Travelers enters new territory while maintaining their signature soulful sound on Rhapso. First coalescing in Harlem under the tutelage of Eli “Paperboy” Reed, these Native New Yorkers have crafted an offering that diverges from their previous works in its very conception—drawing inspiration from Numero Group’s 2006 compilation Good God! A Gospel Funk Hymnal, a collection showcasing 1960s and 1970s gospel music infused with soul and funk elements, the group embarked on a creative odyssey at Reed’s behest. Reimagining tracks from this era, the Travelers have woven a tapestry of covers and original material that showcases their adeptness at incorporating hip-hop influences and vintage techniques into their gospel repertoire. — Randy
Los Yesterdays: Frozen In Time
Now-Again Records extends its expertise to contemporary artists who channel the spirit of ‘60s and ‘70s music. Enter Los Yesterdays, a band formed in 2017 that embodies this approach with their debut album, Frozen In Time. The group’s sound, aptly dubbed “Chicano Soul,” draws inspiration from legends like Joe Bataan, the Delfonics, and James Brown. Their music evokes a bygone era, blending elements of Motown, Philadelphia soul, and Latin rhythms. “Nobody’s Clown” and “Something Happened” showcase a masterful fusion of salsa beats, soul balladry, and Latin swing. The album’s production and musical approach create an illusion of time travel, appealing to old souls while potentially inspiring a new generation of sample-based artists. — Phil
Syleena Johnson: Legacy
The road to this album has been challenging, with Syleena Johnson balancing the demands of being an R&B star and a devoted mother. Legacy pays homage to her late father, Syl Johnson, by combining their vocals across 16 tracks that explore the music industry’s impact, the timeless appeal of soul, and Chicago’s influential music scene. Johnson meticulously crafted Legacy as a tribute, setting their vocal tones and styles in conversation. The album features Twista and Shawnna appearances and fresh interpretations of Syl Johnson classics with “Different Strokes.” As she stated that this effort is her last, Legacy is a daughter’s gift to her father and an artist’s tribute to the sounds that inspire her. — Brandon O’Sullivan
Muni Long: ReVenge
Muni Long distinguishes herself with her authentic artistry in an era where modern R&B is often heavily studio-manipulated, making it hard to discern genuine vocal talent. Since earning her first Grammy in 2022 for the hit “Hrs and Hrs,” she has continued to evolve both as an artist and an individual. Her album ReVenge unveils honesty and depth of emotion, putting her personal and artistic growth on full display. Songs like the soulful “Make Me Forget” capture Long grappling with forbidden attraction. She pleads with her heart to erase temptation while delivering pure, heartfelt vocals enriched with impressive riffs and ad-libs. The ethereal “Things I Never Said” explores unspoken thoughts that linger in our minds, while “The Baddest” reflects a newfound self-worth following betrayal. In “Waste No Time,” she strips back production to let her stunning voice shine as she embraces romance. Muni can powerfully sing any song, craft unforgettable hooks, and consistently deliver electrifying live performances without compromising her authenticity. — Jill Wannasa
Tyrese: Beautiful Pain
Beautiful Pain offers a candid glimpse into Tyrese’s inner turmoil and healing challenges after divorce. Filled with emotional depth, he channels personal struggles into songs that explore love, heartbreak, and self-reflection. Many tracks examine the complexities of relationships and their inherent conflicts and disappointments. “Don’t Think You Ever Loved Me” is a heartfelt lament that questions the authenticity of past emotions, resonating with those who have faced the end of what they thought was genuine love. A sincere cover of New Birth’s “Wildflower,” dedicated to his late mother, symbolizes growth and finding beauty in pain, even beyond his public persona. — Phil
Thandii: Dream With You/Come As You
Margate-based duo Thandii—comprised of Jessica Berry and Graham Godfrey—create a charming mix of proximities on their pair albums, Dream With You, and the companion LP, Come As You. They marry lo-fi beats and art-pop melodies from their Kent studio with experimental song structures and avant-garde harmonies, all set against an impressively detailed production. Berry’s incredible vocal ability moves from soulful piano to spoken word, holding the albums together as they meander through styles. Nine years later, they left the hustle of London to find sanctuary at HaloHalo, a studio in which their vibrant mix of influences could be nurtured. Each of these albums heaves and tells a compelling story, as different pieces are fluidly enmeshed together to build the restive whole that seems ready to take you on an introspective route of contemplation. — Brandon O’Sullivan
Pale Jay: Low End Love Songs
Pale Jay creates a distinctive blend of indie soul music, combining elements from past and present styles. His high-pitched, melodious voice sets him apart, as does his choice to remain anonymous. He conceals his identity behind a red knitted mask and a white bucket hat, adding an element of mystery to his persona. Pale Jay melds light indie tones with upbeat soul influences in his Low End Love Songs album. One particularly notable track, “Quadris de Ouro,” transforms from a melancholic opening into a stirring, anthem-like conclusion. In contrast, “Love Around the World” demonstrates the uplifting potential of soul music. While these songs might appear simple on the surface, they retain an air of mystery that aligns with Pale Jay’s secretive persona. — Jill Wanassa
Allysha Joy: The Making of Silk
Allysha Joy offers a smooth fusion of sophisti-pop that touches upon modern soul, R&B, and other pop styles on The Making of Silk. Joy’s exceptional voice is complemented by songwriting, instrumentation, and arrangements of equal caliber, crafting an album that is truly delightful to experience. When that voice is paired with outstanding songwriting and arrangements, the result is something extraordinary. The Making of Silk embodies this harmony as Joy skillfully surrounds her remarkable vocals with rich musical textures. An artist’s instantly recognizable voice can define their work, giving the music a distinctive quality, even if other elements are average. — Harry Brown
Jaz Karis: Safe Flight
With multiple EPs and numerous singles already under her belt, Jaz Karis expands her musical horizons with her debut album, Safe Flight. This South London artist, a BRIT School alumna whose gospel roots influence her traditional R&B sound, named the album after messages she received while traveling between continents to write and record in the United States. A highlight is the lead single, “Met You at the Bar,” featuring Tone Stith. Karis gracefully bids farewell to her duet partner in this song, and the engaging bassline competes with their vocals for attention. Another collaboration includes British R&B singer Mahalia on “Nice Girls,” a gentle ballad where Karis subtly conveys jealousy, bitterness, and temptation. A mellow yet passionate ambiance infused with cosmopolitan sophistication prevails throughout Safe Flight. — Tai Lawson
Bilal: Adjust Brightness
Bilal’s first studio album in nine years, following the release of Live at Glasshaus just a couple of months prior, kicked off with the track “Sunshine.” This song conjures images of clouds parting after a tempest, embodying positive and negative exhilaration. No matter how brooding and tumultuous this modern cosmic slop becomes, it never fails to mesmerize. While live instrumentation permeates the album, it also leans considerably more electronic compared to Bilal’s previous full-lengths, crafting slow to midtempo grooves that, while never quite reaching breakneck speed, constantly feel poised on the precipice. Adjust Brightness sees him embracing a more electronic-tinged sound while retaining his inimitable vocal ability and the musicianship of his tight-knit collaborators. It’s a dynamic, storm-tossed montage that draws you into its intimate yet expansive world—a kaleidoscopic journey that enthralls even in its darkest moments. — Phil
Gallant: Zinc.
Gallant masterfully fuses synthetic and organic sounds, creating unique concoctions that blend electronic and acoustic influences. On his third full-length album, Zinc, he unravels the elusive qualities of its namesake element—essential for life yet hard to procure. This theme resonates throughout the record, reflecting on the transient nature of relationships, shifts in friendships, and the cyclical waves of pain. “Fly On the Wall (Osaka Version)” showcases his attempt to remain carefree and avoid turmoil. “Please don’t mind me; I’m just a fly on the wall,” he muses, yearning for anonymity amidst chaos. Meanwhile, “Sticks + Stones” ventures into classic R&B territory, his vocals soaring over an acoustic guitar melody. “The chemicals will keep me company,” he sings as a shuffling drum groove injects new energy into the track. Despite his efforts, there’s a lingering sense that his expedition is far from complete. — Reginald Marcel
Leon Thomas: Mutt
After years devoted to acting and crafting songs for others, Leon Thomas stepped into the spotlight in 2023 with his solo debut, Electric Dusk, released through Ty Dolla $ign’s EZMNY label. Just a year later, he followed up with Mutt, affirming his commitment to his own music. Thomas isn’t limited to a single field—he sings, writes songs, acts, and produces, managing to surpass expectations in all his ventures. On Mutt, he explores themes of lost love and betrayal, conveying his experiences through expressive vocals and evocative lyrics. He navigates fleeting relationships in search of a genuine connection that continues to evade him. Despite succeeding in every area he pursues, Leon Thomas finds that love remains just out of reach. — Jamila W.
Thee Sacred Souls: Got a Story to Tell
Venturing on an extensive tour after their breakthrough debut, Thee Sacred Souls matured as a collective, evolving into one of pop and R&B’s most cohesive ensembles. Their travels across continents unfolded while the members maneuvered through personal challenges—family troubles, heartbreak, and financial pressures. These experiences shape their new album, Got a Story to Tell, which presents 12 original songs, expanding their emotional and musical scope. Rather than aligning with the modern pop trend of turning albums into personal diaries, Thee Sacred Souls embrace a songwriting style rooted in the universal appeal of Motown and the Brill Building’s legacy. A highlight of the album, “My Heart Is Drowning,” fuses polished Motown soul-pop with rocksteady reggae, intertwining Lane’s soaring falsetto with harmonious backing vocals in a heartfelt plea for love and understanding. Got a Story to Tell is a noteworthy work showcasing artistic evolution, multifaceted musical interplay, and unfiltered emotional authenticity. — Nehemiah
Nicolay: Terra Firma
On Terra Firma, Nicolay extends a fortified musical vision while bouncing around themes of an emotional roller-coaster through his most diverse solo album yet. On the two-decade commemoration of Connected, he checks with the business exactness that Phonte is known for and on across board sounding boards, including new voices and those active in his vast pool of aces. Sy Smith starts things with soft vocal musings on distance, setting a somber tone that nevertheless carries through to the philosophical meditations of “No More Waiting” and soulful house accord behind separating ways on people. YahZarah delivers a striking return elsewhere with this sultry, gliding, funkier “Something’s Got a Hold of Me.” Nicolay builds a lush environment, layering hard beats with complex storytelling about love and the buoyancy needed to survive life’s measures. Terra Firma is life or death emotional soul searching, but this sleight of hand that Nicolay has honed through the years. Indeed, beyond the layered complexity of each song that surpasses any one album in Foreign Exchange’s deep emotional depth, it also continues to be informative a decade on just as much because said vibrant, interconnected spirit resonates true. — Harry Brown
Amaria: Free Fallin’
Amaria carves a unique niche in neo-soul and R&B, paying heartfelt tribute to icons like Aaliyah and Janet Jackson with her long-awaited debut, Free Fallin’. The album opens with “Finer Things,” where her velvety vocals and unhurried delivery meld 90s nostalgia with contemporary flair. Living up to its name, Free Fallin’ encourages an embrace of life’s uncertainties, symbolizing a fearless dive into the unknown. Alongside earlier gems like “Beggin’” and “Back to Me,” the album reflects Amaria’s nuanced understanding and genuine artistry within the R&B sphere, intertwining past inspirations with future ambitions. — Jamila W.
Ruthven: Rough & Ready
Like any other rising artist we come across, Ruthven unleashed loosies of singles before giving us his full-length debut with Rough & Ready. "Don't Keep It to Yourself" is three years old, but the electric guitar groove still fits within the album's context. Teaming up with A.K. Paul, the sound is modern sounds of today's time, but you can hear the influences of The Purple One on the one-two punch of "Itch" and "Thru the Walls," where you can listen to how the melodies that are illusorily abstruse and frequently circulate in unforeseen places. By ending the record with "Drive It," it is unpredictable for splitting the piano ballad with a Doobie Brothers-inspired latter half where his singing plays out like an instrument. With songs about his various love experiences, Ruthven delivered an eccentric body of work, even if it didn't get the full attention it deserved. — Brandon O’Sullivan
Contour: Take Off from Mercy
From the very start, the qualities are evident as Contour issues a soft, doleful plea, barely discernible amidst the intertwined bass and guitar lines. He finds himself in a bewildered, desperate state, struggling to stay upright. Regardless, he manages to regain his balance for a 40-minute session of cathartic musical expression. His trembling voice delivers poetic lyrics filled with unease, delving into the complexities of intrapersonal, interpersonal, and societal dynamics. The ballads often feel spontaneous, as if improvised and dubbed on the spot. Take "(re)Turn," for instance—one of the rare tracks with a rhythm that suggests progression rather than stasis. Contour's reasoning and questioning are subtle yet deliberate until the drums vanish and return in a chaotic form, echoing the album's recurring themes of instability and translation. And with the follow-up from the underrated Onwards!, Take Off from Mercy blends various genres by showing how his words are filled with profusion, which is incredible. — Imani Raven
Kiana Ledé: Cut Ties
With Cut Ties, Kiana Ledé cements her status as a formidable voice in R&B, one unafraid to mine the depths of love's most challenging complexities. Ledé's vocals deftly oscillate between tender fragility and ironclad determination, embodying the internal tug-of-war between our need for connection and fear of vulnerability. "The Truth?" ties the album's central tension—the longing to lose oneself entirely in love while maintaining a sense of self. Ultimately, the third effort is a bold manifesto, a commitment to embracing life's emotional extremes over settling for uninspired stasis. Through uncompromising honesty, Ledé renders a vivid, relatable portrait of the perils and joys of opening oneself up to love's transformative power. — Jamila W.
Michael Kiwanuka: Small Changes
Bringing together familiar elements with a fresh touch, Michael Kiwanuka's music continues to enchant without resorting to cliché. Soul Changes, featuring the skills of Pino Palladino on bass, opens with tracks like "Floating Parade," where orchestral sound meets the warmth of soul-infused singer-songwriter melodies. Kiwanuka's music inspires listeners to focus on their dreams, with "Follow Your Dreams" encouraging a break from external stress and expectations. Maintaining dynamic energy even within quieter compositions, songs like "Four Long Years" showcase a buzzing, Northern Soul-inspired undertone. The "Floating Points" piece occasionally highlights a psychedelic guitar, while tracks like "Low Down Part 1" exude a similarly mind-altering feel. With co-producers Danger Mouse and Inflo, Kiwanuka avoids excessive flourishing and instead opts for a balance that appeals to audiences of alternative pop, folk, and classical genres. — Ameenah Laquita
Honorable Mentions
Jade Novah: Where Have I Been?
Jade Novah describes her third album, Where Have I Been?, as an engaging story-driven podcast fused with modern R&B sounds. Featuring moving spoken interludes that enhance her storytelling (with notable artists such as Leslie Odom, Jr., Wayne Brady, Tabitha Brown, Gail Bean, Tony Baker, and Tarriona “Tank” Ball), this 24-track, hour-long collection chronicles her experiences from childhood memories to releasing patterns that no longer serve her. However, if you’ve been following her career, you might be disappointed to see more than half of the songs from her previous EPs that landed on the listing, but it flows pretty well here. Nonetheless, Where Have I Been? further examines her personal life as a woman over the years. — Imani Raven
Aaron Frazer: Into the Blue
Into the Blue heralds a daring new era for the multi-instrumentalist, shattering preconceptions about modern soul music. This sophomore effort sees Aaron Frazer venturing beyond his comfort zone; melding soul tropes with unexpected elements of surf rock and hip-hop. His signature falsetto takes on a gritty determination, maneuvering through dense, thudding instrumentals. While rooted in soul, the album probes the depths of Frazer’s creative reserves, resulting in a patchwork of disco-tinged dance tracks and slow-burning harmonies. — Oliver I. Martin
Nao Yoshioka: Flow
Nao Yoshioka’s fifth album, Flow, arrives after a five-year break, during which the Japanese soul/R&B singer grappled with career uncertainties and personal challenges. Returning to Japan amidst the pandemic, Yoshioka found renewed purpose through exploring interests beyond music. The album’s central theme revolves around embracing life’s unpredictability and finding inner peace, as shown in “Unapologetically Me” and “Free as a Bird.” While Flow showcases Yoshioka’s newfound confidence, it also addresses darker themes in songs, including “Nobody Chase Me” and “You Never Know,” reflecting on personal struggles. — Tabia N. Mullings
Staples Jr. Singers: Searching
Nearly five decades have passed since the Mississippi soul-gospel family band Staples Jr. Singers first graced the world with their music. They’ve returned with their second album, Searching, bringing a renewed spirit and sound. Siblings Annie, Edward, and R.C. Brown, joined by younger generations of their family, gathered in the humble setting of a local church to record over the course of just two days. Their voices intertwine with a profound depth, each track imbued with introspection and unwavering faith. The world took notice when their 1975 album, When Do We Get Paid, was reintroduced in 2022, sparking international attention. This resurgence propelled them back into the spotlight, and Searching emerges as a reflection of their lives—a matured sound shaped by confronting economic and social hardships as African Americans in the rural South. While the new album offers a more polished production than its predecessor, it retains the organic, lo-fi essence that has always been their hallmark. — Brandon O’Sullivan
The Heart Tones: Forever & Ever
A youthful ensemble from Hawthorne, California, has made its mark with their debut album, Forever & Ever, on Big Crown Records. Led by 19-year-old vocalist Jazmine Alvarado, this sextet channels the rich heritage of Chicano Soul while injecting fresh energy into the genre. Their sound marries smooth vocals with steady beats, creating a nostalgic yet contemporary musical landscape. By skillfully balancing reverence for their musical roots with innovative twists, The Heart Tones have produced a debut that pays homage to Chicano Soul and positions them as potential trailblazers. — Phil
Orion Sun: Orion
Orion Sun crafts intimate alt-R&B soundscapes with vulnerability and introspection. Her latest album, Orion, draws inspiration from Nicolas Poussin’s painting Blind Orion Searching for the Rising Sun, setting the stage for a musical excursion through the darkness in search of light. Raised by artist parents and now based in Los Angeles, Orion Sun’s creative spirit extends beyond music, encompassing collage-making and a deep connection to nature. Her self-produced tracks, such as “Already Gone” and “Sweet,” explore heartbreak, self-perception, and personal growth, reflecting her commitment to authenticity and artistic control. — Jamila W.
Dua Saleh: I Should Call Them
Dua Saleh’s debut album, I Should Call Them, ventures boldly into a fusion of R&B enriched with touches of jazz, rock, and dance, crafting an innovative and deeply personal soundscape. This daring blend of genres introduces a new era of musical storytelling, delving into themes of love and the hesitations tied to emotional vulnerability. At the core of this venture is Saleh’s voice, shifting effortlessly between commanding authority and ethereal whispers. This dynamic vocal presence reflects the album’s examination of uncertainty and connection, drawing the audience into a deeply personal space. Tracks like “Pussy Suicide” and “Want” showcase their dedication to an unapologetic narrative style marked by inherent candor and musical expertise. I Should Call Them reveals a burgeoning artist unafraid to confront conventions and carve out a unique path. — Ameenah Laquita
Kelly Finnigan: A Lover Was Born
Building on his heritage as the offspring of a session musician, Kelly Finnigan intertwines singing, songwriting, and production, connecting West Coast and Midwest soul traditions. This album marks his growth since “The Tales People Tell,” offering a thoughtfully designed narrative arc. Combining Northern, deep, and psychedelic soul with hip-hop-influenced beats, the record crafts a rich soundscape that honors classic Midwest soul while embracing a variety of influences. Finnigan’s production acumen shines through, balancing vintage elements with modern styling to achieve a familiar sound. Collaborations with trusted musicians lend the album authenticity and a communal atmosphere. His heartfelt vocals and meticulous attention to detail enliven each track. Songs such as “Prove My Love” and “Be Your Own Shelter” highlight the album’s diversity, from energetic organ-driven tunes to contemplative piano melodies. Through sincere storytelling, he explores themes of love, fortitude, and self-discovery without resorting to clichés. — Harry Brown
Maverick Sabre: Burn the Right Things Down
Maverick Sabre has shown relentless evolution since his debut in the early 2010s. Initially recognized for his soulful sound, he embraced mentoring and songwriting, significantly aiding R&B singer Jorja Smith’s rise to fame. This transition appears to have unleashed his creative potential, leading to a more audacious approach to his music. His latest album, Burn the Right Things Down, reflects this liberated artistry, highlighting his unique neo-soul style. “If Only I Could Love You Again” showcases his skill in soulful production, while “Beloved” and “Make You Proud” are exceptional for their musical quality. The album consistently delivers, with songs such as “Face In the Crowd” and the dreamy closing piece “Lonely People,” concluding a project reinforcing Sabre’s standing as a seasoned and adept artist. — Jamila W.
Raquel Rodriguez: Housewife
Among contemporary R&B artists, Raquel Rodriguez demonstrates unmatched mastery. Her melodies blend technical finesse with soulful authenticity, crafting compositions worthy of acclaim. Los Angeles shaped her artistic identity, which is evident in Housewife, which showcases her multifaceted talents across production, songwriting, and performance, all while maintaining distinctive neo-soul elements. — Jill Wannasa