Album Review: Might Delete Later by J. Cole
J. Cole surprised-dropped twelve new tracks before ‘The Fall Off.'
J. Cole’s eagerly anticipated season has returned with his surprise-released effort, Might Delete Later, after he cleared his Instagram page minutes before the unexpected drop. The North Carolina luminary released a mini-documentary, which was shared in its entirety with fans on Instagram. The initial segment, a roughly 10-minute clip, offers viewers an intimate glimpse into Cole’s current life, including his ongoing It’s All a Blur Tour alongside Drake. The video drew inspiration from the classic Smack DVD series and featured cameo appearances from Cole and his associates, such as longtime collaborator Bas.
The most significant revelation from the first volume was a preview of an untitled song that showcased Cole’s intention to put other emcees on notice. Over T-Minus’ ominous production on “Crocodile Tearz,” Cole delivered a resolute message: “Said I was finished, but I’m on another two summers, Hall of Famer, hungrier than all the newcomers, ni**as swear they compare, but the truth humble.” Furthermore, Cole alluded to his long-awaited upcoming album, The Fall Off, comparing it to “Hov droppin’ Reasonable Doubt last,” a reference to JAY-Z’s seminal debut album.
In the introductory lines and first verse of “Pricey,” J. Cole (with the help of Young Dro) sets the tone with a reflection on the high stakes and opulence associated with their success. He uses cultural references, such as Rick and Morty, to illustrate his dynamic growth while acknowledging the environment he came from—one marked by struggle and survival. Ari Lennox’s chorus provides a soulful anchor to the track, and Gucci Mane’s contribution brings another layer of introspection, exploring the complexities of creation and fame against a backdrop of societal issues.
The hard-hitting “3001” (previewed on Might Delete Later, Vol. 2) dives into J. Cole’s personal growth and his pursuit of inner peace amidst chaos. He reminisces about his turbulent past and contrasts it with his current success, which includes traveling on private jets as a means to find solace. Despite achieving fame and wealth, he remains critical of the industry’s fixation on competition and features, suggesting that true street credibility is elusive or nonexistent. The artist speaks to reducing negative influences in his life and focusing on what truly matters—his well-being and family—while acknowledging rap’s performative aspect, where authenticity sometimes takes a backseat to craft an impactful image or narrative.
On “Ready ‘24,” J. Cole’s verse is filled with sharp observations about his life and environment. He discusses his determination to succeed, referencing his commitment to making his mother proud and distinguishing himself from others by taking action rather than contemplating missed opportunities. Cole contrasts luxury with harsh realities, mentioning designer clothes while also depicting scenes of addiction and violence that he’s witnessed. His lyrics paint a picture of someone who has risen above challenging circumstances without forgetting where he came from, acknowledging the dangers of street life and his success in navigating it. Cole’s reference to “fiends line up for rocks” juxtaposes with “Young ni**as linin’ for Glocks,” illustrating the harsh choices faced in his community.
The song features Cam’ron, and unlike “95 South,” he spits a verse. His lyricism suggests a life that moves between different social strata effortlessly—from street corners to political circles—indicating versatility and influence. Cam’ron also plays on pandemic-related social distancing rules (“ni**as had to give me 6 feet before the COVID”), using them as a metaphor for respect earned through power rather than health precautions while also nodding to the consequences faced by those who cross him. The track also re-works Barbara Mason’s “Yes I’m Ready” that the Diplomats did in 2003 with “I’m Ready.”
More features include a battle rapper Daylyt and Ab-Soul on “Pi.” Daylyt and Ab-Soul trade bars densely with metaphorical language and cultural references as the verses begin. They touch on themes of spirituality, personal struggle, and societal issues, showcasing their lyrical skills. The wordplay is complex, with multiple layers of meaning that might require several listens to appreciate fully.
Daylyt’s contributions are marked by his signature style of intricate rhymes and thought-provoking imagery. He addresses topics ranging from religious symbolism to social commentary, often using clever puns and double entendres. Ab-Soul complements this approach with his introspective lines, reflecting on life’s challenges and the pursuit of understanding in a chaotic world. Together, they create a dynamic first verse that sets a high bar for lyrical content.
J. Cole closes the song with a powerful third verse reflecting violence, fame, and authenticity in the music industry (however, we do not co-sign with trans bar). His delivery is confident as he asserts his place at the top of the rap game while contemplating more profound existential questions. Cole’s verse is filled with sharp observations and boasts about his skill as an emcee, cementing his status as one of hip-hop’s respected voices.
With J. Cole, one of his weaknesses is the tendency not to work with other beatmakers that don’t help him feel inspired, but that’s not the case with this project. He teams up with one of hip-hop’s MVPs, The Alchemist, on “Sticks N Stonez,” Cole addresses his critics and detractors, asserting his success against their predictions of failure. He uses imagery of wealth and status, like “rockin’ a mask with lots in cash,” to illustrate his financial success, contrasting with the humble beginnings he often references in his music. Cole’s wordplay also touches on themes of authenticity and remaining grounded despite fame, as he criticizes those who lose touch with reality after gaining wealth. He emphasizes his lyrical ability to captivate and outshine others in the rap game while maintaining a connection to his origins.
Now, with “7 Minute Drill,” the project’s closing track that has garnered attention for its direct and assertive lyrics against Kendrick Lamar after his unexpected guest feature on Future and Metro Boomin’s “Like That.” In the song’s first half (produced by T-Minus) on the hook, Cole presents himself as unbothered by the challenge, emphasizing his self-reliance and dismissing the need for backup in any confrontation. He suggests he’s above engaging in petty disputes for attention, positioning himself physically and lyrically capable of handling any situation independently.
The first verse dives into his perspective on his career trajectory compared to that of his peer, whom he implies has had a mix of successful and less impactful releases. He acknowledges Kendrick’s early achievements but criticizes more recent work as lacking (“Your first sh*t was classic, your last shit was tragic/Your second sh*t put ni**as to sleep, but they gassed it”).
We won't even go there, as Kendrick has one of the best discographies in hip-hop.
Cole contrasts this with his rise to prominence, suggesting that he has surpassed Kendrick and is leading the way in the industry, although telling a rapper he fell off more than The Simpsons is an eye-roller. The verse also touches on themes of authenticity and integrity, with J. Cole distancing himself from mainstream accolades like the Grammys and reflecting on personal losses and real-life struggles that overshadow rap feuds.
In the second verse (produced by Conductor Williams), J. Cole expresses mixed emotions about his relationship with other figures in the rap industry, asserting his dominance while “hinting” at a reluctance to conflict with someone he respects, while borrowing some of the lines from JAY-Z’s “Takeover.” He uses sports metaphors to describe his competitive nature and readiness to respond to perceived disrespect with forceful action if necessary, giving Kendrick a warning shot.
The only gripe on this project is the upbeat “Fever,” which will get the radios and clubs spinning during summertime. Still, you get some solid ones with Memphis-influenced “Huntin’ Wabbitz” and two drill slappers, including “H.Y.B.” (with Central Cee) and “Stealth Mode” as both feature Bas. Outside of a few slip-ups, Cole is as confident and motivated as ever as he preps for his supposed “final” album, but you know how the story goes: Rappers don’t usually retire unless you’re Joe Budden. If Might Delete Later was an appetizer for his lyrical dexterity that sets us up for his Dreamville Festival this weekend, we can only hope The Fall Off will be the step in the right direction in Cole’s discography.
Solid (★★★½☆)
Favorite Track(s): “Ready ‘24,” “Stickz N Stonez,” “Pi”