A Guide to Erick Sermon
Here's Erick Sermon, a super producer and MC who doesn’t get his just due, ranging from Redman, Keith Murray, and JAY-Z to Dave Hollister, Chico DeBarge, and Alfonzo Hunter.
Erick Sermon, the “Green-Eyed Bandit,” is a prolific figure in hip-hop whose contributions extend far beyond his foundational work with EPMD. As an MC and producer, his distinctive use of funk samples and hard-hitting drum patterns helped define the East Coast sound of the late ‘80s and early ‘90s. Sermon’s ability to identify and enhance the unique qualities of his collaborators made him a sought-after force behind the boards, responsible for sculpting sonic signatures for artists like Redman and Keith Murray.
The depth of Sermon’s influence often needs to be more appreciated in discussions of the most acclaimed hip-hop producers. His collaborative nature, which focuses on supporting artists rather than self-promotion, may contribute to this oversight. Additionally, his sound remains heavily associated with a specific era, potentially obscuring his evolution and versatility as a solo artist and in his extensive later work.
However, Erick Sermon’s innovative sampling techniques and relentless focus on crafting iconic sounds fundamentally shaped the trajectory of hip-hop production. His dedication to artistry is evidenced by the sonic identities he helped construct for solo rappers and the Def Squad collective, setting him apart as a true master of tailoring beats to individual styles.
Sermon’s impact on hip-hop culture is substantial. From his essential work with EPMD to his wide-ranging production for a multitude of artists, he has consistently served as a driving force within the genre. Acknowledging the full breadth of his contribution is essential; Erick Sermon stands as a titan among hip-hop production pioneers.
Albums He’s Produced or Contributed as an Artist
Strictly Business — EPMD
Raw, sample-heavy beats create a rugged soundscape for Sermon’s no-nonsense lyricism. His voice booms alongside PMD’s, establishing their trademark chemistry. Funk-infused grooves provide a backdrop for storytelling anthems focused on street life and hip-hop pride. This debut laid the foundation for what became known as the classic EPMD sound.
Unfinished Business — EPMD
A darker, more mature atmosphere permeates this sophomore effort. Sermon’s production takes on a heavier edge, reflecting the lyrical focus on perseverance and social commentary. While still embracing their hard-hitting aesthetic, the duo reveals a growing depth and ambition. This album solidifies their reputation as influential voices within the East Coast hip-hop scene.
Business as Usual — EPMD
Sermon’s funk-laden sonic signatures remain potent, yet greater experimentation begins to seep in. This album demonstrates an expansion of their musical palette without sacrificing their trademark punch. While their lyrical content still carries a streetwise edge, hints of introspection and broader themes emerge.
Business Never Personal — EPMD
This classic release marked a major transition for the group, as Erick Sermon took on the bulk of production duties. His sound evolves towards a smoother, more melodic style. Still grounded in hip-hop fundamentals, the album reflects a desire to push new grounds while embracing a wider audience.
Whut? Thee Album — Redman
Sermon’s influence as a producer shines brightly on this classic solo debut from Redman. His beats seamlessly blend funk, soul, and jazz samples, providing an ideal playground for Redman’s unhinged lyrical energy. This collaboration cemented Sermon and Redman as pillars of ‘90s East Coast hip-hop.
No Pressure — Erick Sermon
Branching out into solo territory, Sermon showcases his full artistry, both as a rapper and producer. His sharp lyricism covers diverse territory, from introspection to playful boasts. Sermon’s beatmaking chops display greater sonic refinement without sacrificing the hard edge that defined his earlier work.
The Most Beautifullest Thing In This World — Keith Murray
Sermon’s production takes center stage on this beloved ‘90s project, crafting a backdrop for his charismatic protégé, Keith Murray. Classic boom-bap drums meet soulful instrumentation, creating a distinct sonic world. Murray’s infectious energy and unique lyrical style mesh effortlessly with Sermon’s expertly crafted beats.
Double or Nothing — Erick Sermon
This solo album further illustrates Sermon’s sonic progression, embracing polished, R&B-influenced textures. His voice remains confident and assertive, exploring personal themes amidst street anthems. While venturing outside the comfort zone of traditional boom-bap, he successfully balances experimentation with core hip-hop sensibilities.
Insomnia: The Erick Sermon Compilation Album — Erick Sermon
This oft-forgotten release captures the breadth of Sermon’s impact throughout nearly two decades, compiling hits from both his solo work and group projects. The collection reinforces his influence within East Coast hip-hop as both a rapper and a pioneering producer. It acts as a retrospective for longtime fans and an introduction for those discovering his extensive body of work.
Blacka da Berry — Alfonzo Hunter
Sermon brings his characteristic blend of soulful instrumentation and hard-hitting drums to this album, establishing a gritty but melodic backdrop. Alfonzo Hunter’s powerful and evocative lyrics seamlessly meld with the production. Sermon demonstrates his continued ability to elevate collaborators, highlighting an evolution within the East Coast underground hip-hop scene.
Enigma — Keith Murray
Sermon masterfully crafts a haunting sonic atmosphere on this album, employing eerie samples, dissonant textures, and industrial-influenced beats. This bleak backdrop reinforces Murray’s exploration of darker themes as his intense lyricism grapples with violence, paranoia, and the complexities of street life. The deliberate departure from Murray’s earlier work signals a new level of artistic depth, further amplified by Sermon’s willingness to take production risks.
Muddy Waters — Redman
On Redman’s groundbreaking third album, Sermon shifts gears, opting for a soulful, funk-infused soundscape. He skillfully incorporates live instrumentation, jazz-inspired horns, and infectious basslines, creating a laid-back, rhythmic foundation for Redman’s boisterous energy and sharp wit. This album exemplifies Sermon’s ability to amplify his collaborator’s strengths, resulting in a multi-faceted showcase of Redman’s artistry.
Back in Business — EPMD
EPMD’s reunion record sees a triumphant return to their roots, with Sermon meticulously revitalizing the group’s signature sound. His sample-heavy approach evokes the golden era of hip-hop, fueled by gritty funk loops, punchy snares, and infectious boom-bap drums. This album is a testament to Sermon’s masterful grasp of his aesthetic, effortlessly reestablishing EPMD as East Coast titans.
El Niño — Def Squad
As the driving force behind this Def Squad compilation, Sermon demonstrates an incredible range. He confidently fuses soulful samples with playful melodies and contemporary beat-making techniques, crafting a sonically diverse backdrop for the crew’s collective swagger. This dynamic interplay of textures underscores Sermon’s adaptability as a producer and his capacity to elevate the energy of a wider cast of rappers.
Doc’s da Name 2000 — Redman
Sermon teams up with Red on this last great album, blending classic East Coast grit with experimental textures and futuristic flourishes. Electro-funk elements, glitchy synths, and a darker overall tone shape a distinct soundscape for Redman, demonstrating Sermon’s desire to innovate even with frequent collaborators. Redman’s trademark energy never falters; he easily navigates the unconventional production, proving the potency of their longstanding relationship.
It’s a Beautiful Thing — Keith Murray
For this poignant exploration of introspective themes, Sermon leans into lush instrumentation and melancholic undertones. Mournful strings, soulful backing vocals, and reflective pianos craft an emotionally resonant canvas for Murray’s lyrical journey. This album marks a stark departure from their earlier work, showcasing an often-overlooked depth within Murray’s artistry and signifying Sermon’s ability to nurture this vulnerability through evocative production.
Blackout! — Method Man & Redman
A hip-hop cult classic is born from this legendary pairing, with Sermon solidifying his role as a facilitator of undeniable artistic chemistry. He seamlessly blends vintage boom-bap elements with soulful piano loops and catchy samples, providing ample space for the two icons to trade quotable rhymes and showcase their signature flows. Sermon’s masterful touch reinforces the synergy between Redman and Method Man, resulting in a definitive late ‘90s hip-hop masterpiece.
Def Squad Presents: Erick Oasis — Erick Sermon
Sermon embraces a vibrant celebration of funk-infused melodies and bright instrumentation on this solo outing. Uplifting horns, bouncy rhythms, and playful R&B influences dominate the soundscape. His rapping exudes seasoned confidence and clever wordplay, complementing the overall jubilant feel of the record. This album marks Sermon’s exploration of diverse sounds and reflects a fresh chapter in his solo career.
Music — Erick Sermon
Sermon’s commitment to soulful hip-hop shines brightly on this project, infused with refined melodies and rich sonic textures. He orchestrates a symphony of soulful brass sections, layered harmonies, and smooth instrumental flourishes, resulting in a sophisticated backdrop for his mature lyricism. Exploring socially conscious themes and complexities within relationships showcases Sermon’s growth as a songwriter and a sonic architect.
React — Erick Sermon
Here, Sermon navigates contemporary trends without compromising his hip-hop foundation. He confidently integrates trap rhythms, atmospheric textures, and modern sound design into his palette, offering a fresh perspective on his seasoned approach. While his rapping carries the wisdom of a veteran, the innovative production demonstrates his continuing pursuit of musical evolution.
Chilltown, New York — Erick Sermon
Sermon proves his unwavering dedication to hip-hop culture by championing rising talent in this collaborative effort. He cultivates a vibrant space for up-and-comers, providing a platform for underground rappers and singers to shine. Sermon’s production creates a cohesive soundscape, balancing diverse voices while grounding the project within a distinctly hip-hop realm.
Rap-Murr-Phobia (The Fear of Real Hip-Hop) — Keith Murray
Both artists return to their roots on this late-career album, reaffirming their unwavering commitment to hard-hitting boom-bap. Sermon builds a backdrop of rugged drums, aggressive turntable scratches, and ominous samples, mirroring Murray’s forceful pronouncements and uncompromising lyrical assault. It is a potent reminder of their lasting impact and unfiltered approach to hip-hop.